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The Central Problem with Science Fiction: The Future Will be Awesome
When I took up writing fiction as a hobby, I started out in dark fantasy, but I’ve drifted into Science Fiction. It’s not technically sound science fiction, given that I don’t have a science background. However, having written a few novellas and novels, working through them with beta readers, and trying to get them published, it occurs to me that there’s a central problem that science fiction has to wrestle with: the future is will be awesome.
Let’s take a basic assessment of the facts: for the first 10,000 or so years after man discovered agriculture, humanity’s standard of living didn’t increase all that much. There were times and places such as the Roman Empire or Hahn Empire at their height, where people may have enjoyed more peace and prosperity than at other times, but this was by such a negligible amount we would scarcely notice it today. Then, around the year 1700, a miracle occurred, starting in Western Europe. Material progress for the human race took off like a dragster. While something like 95 percent of humanity used to live in what we would consider dire poverty, today only like 10 percent do. Child mortality rates were so high that you had a maybe 50-50 chance of living past the age of six. This is assuming that you and your mother didn’t die in childbirth. Diseases that once wiped out entire cities were cured by medical science. While humans spent most of their lives scrounging for food, now obesity is objectively a bigger problem than hunger.
Most of this could be attributed to improved technology, though free trade, democracy, and other liberal political institutions also played a role. The one downside to improved technology is that it made war deadlier, with World War II being the deadliest conflict in human history, culminating in the U.S. ending the conflict with the ultimate superweapon. However, as threatening as that was, since World War II, the amount of armed conflict in the world has actually been on the decrease, with the amount of war hitting an all-time low after the Berlin Wall fell. This might have to do with the spread of democratic institutions and free trade. Like I said, I don’t have a hard science background. I came from a political science background, and one of the things they teach you is that free trade and democracy lead to less conflict in the long run.
Recently, there’s been some backsliding on democratic institutions and free trade, but that’s happened before, and it tends to be temporary. There’s always a reverse democratic wave after a wave of democracy. There was a wave of democracy from the 1970s all the way to the 2000s, and then we experienced a very mild reverse wave of authoritarianism in the late 2010s and early 2020s, everyone freaked out about that because it was tinged with nationalism. I don’t think it’s permanent. Indeed, it seems like it’s just about to play itself out. Same thing with free trade. Protectionism was popular until the tariffs actually got put on stuff and prices went up.
Why is this important? Because the general trajectory of history is material progress, or at least it has been since the year 1700. More wealth, leisure, and peace. Less disease, war, and hunger. That’s obviously great news for humanity. It’s terrible news for science fiction. Why? Because science fiction is a genre of storytelling, and storytelling depends on conflict.
Star Trek is famous for imagining a world without racism, nationalism, or other forms of bigotry. In reality, it only imagined a world where bigotry didn’t exist among humans. It moved those prejudices to a higher level. White people no longer looked down on black people, but humans might be paranoid about Vulcans, particularly when those pointy-earred Romulans are around. The Americans and Russians might not be threatening each other with nuclear annihilation anymore, but the Klingons and the Federation are doing roughly the same thing. Human nature hasn’t evolved that much. It just got promoted to the interstellar level. Fast forward to The Next Generation, and Gene Roddenberry says he wants to abolish not just racism and war, but all interpersonal conflict as well. This caused the writers to revolt, as that would make writing any kind of story impossible. Stories require conflict, and conflict doesn’t happen in Utopia. The future will likely appear to be some kind of Utopia to us, so telling stories about the future will be increasingly difficult.
Now, science fiction has generally dealt with this problem in one of four ways. The first way is to introduce hostile alien races, just like Star Trek did above. Yeah, maybe we’ve moved past war and tyranny, but who says the Klingons have? The issue is that technological progress and political liberalization are not unrelated to each other. The scientific revolution on Earth occurred in the very specific political atmosphere of the Scottish/Dutch Enlightenment, where a free and open society allowed for technical innovation and creativity. Any alien species with more advanced technology has likely learned that there are better ways of getting what they want than war and conquest, like trade or even growing resources in a lab. That’s probably why if aliens exist, Earth hasn’t been invaded: any alien race advanced enough to subjugate us is advanced enough to produce what they would take from us on their own. Furthermore, the most economically advanced countries on earth have given up on colonialism, normally because colonies cost more money than they produce. What does that say about space colonialism, and wouldn’t more advanced races be even more repelled at that prospect?
The second is to imagine the future world under some kind of technocratic tyranny. The Empire in Star Wars is the primary example, though Oceania 1984 is another. The issue once again is that technological progress and political liberalization are not unrelated to each other. The real world example of real existing communism shows us that totalitarian societies shouldn’t be associated with technological progress. They should be associated with technological backwardness. The United States outstripped the Soviet Union rather severely on a technological basis, both militarily and in many other areas. In the real world, the Empire would quickly find itself falling behind other, freer and more open polities that attracted talented people who innovated and allowed to make their own decisions about what to do with their talents. Top-down economic planning, the type the Empire would likely engage in, never works, as it requires too much information for any one person or any one group of people to be able to calculate.
The third thing science fiction stories do is introduce a disaster that creates conflict. The best example is Fallout, which introduces nuclear war as a way to wipe the board clean and reintroduce scarcity into the world. Another good example is Lost in Space, where the Robinson family has to colonize space due to overpopulation on Earth. Star Trek had to resort to this trick in Discovery by introducing the Burn, destroying Starfleet and shattering the Federation. What is the chance of such a disaster destroying Utopia? Nuclear war could happen, but we’ve avoided it so far despite some very antagonistic rivals such as the USA/USSR and India/Pakistan. Maybe it’s because everyone understands the stakes are too high and thus avoids it even in the face of the greatest of ideological rivalries. If anything, nuclear weapons actually seem to promote peace as they prevent great powers from attacking each other directly. Overpopulation appears to be solving itself, as birth rates are flatlining across the world. Global warming is being solved as solar power is finally becoming financially feasible, and cold fusion is getting off its feet. COVID was terrifying, but it proved humanity can survive a plague and come out of it without the world totally collapsing.
The final way is to point the finger at big corporations and argue that their greed, which is eternal, shall bring about some disaster. The Weyland-Yutani corporation wants to bring an acid-for-blood killer alien to Earth for …some reason no one can explain. The Brawndo corporation in Ideocracy will starve humanity by replacing water with Brawndo and killing the crops. Umbrella Corporation releases a virus that creates a zombie apocalypse. You get the idea. The problem here, as I’ve explained before, is the Underpants Gnome problem identified by South Park. Corporations exist to make money, and while they can definitely do some unethical stuff in pursuit of the almighty dollar, you really can’t turn a profit if all your customers are dead, can you? How do any of these evil corporations plan to make a dime off their evil plans? This is why greed is a great motivation for short-term crime, but a poor motivation for someone trying to take over the world. Most corporations make their money by providing goods and services that make the world better; we just have a problem with how they treat their employees and occasionally their customers when they do so. They don’t really have any incentive to prevent a better world from existing. A better world is full of customers with spending money.
Nope, the central problem with science fiction is that as time goes on and technology improves, the world gets better and conflict decreases. This is obviously good for humanity, but it presents a problem for writers, forcing us to invent a lot of gimmicks and deus ex machina tricks to keep an increasingly perfect, increasingly boring universe interesting. I think the problem here is that we aren’t really facing what humanity’s real problem is going to be in the future. I mentioned earlier that Star Trek resorted to the “disaster” trick by introducing the Burn. It’s interesting because, arguably, Star Trek already acknowledged the real problem with a world with infinite material progress in an earlier iteration, and I think that is what we really need to explore. That’s what I’ll be talking about next week.
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Unreliable Narrator: USA Beat Canada
Today on Unreliable Narrator: Team USA beats Canada in Men’s Hockey for Olympic Gold.
Period 1: The teams take the ice with Team USA being the clear favorite given that the Canadians are a bunch of three foot tall wood chucks who speak French. Matt Goldy scores the first goal by ricocheting the puck off Plymouth Rock and the Statue of Liberty, both of which had been moved to Italy for some reason.
First intermission: The duplicitous canucks, seeing their dire situation, hire the Zamboni driver to coat the ice in maple syrup, giving their team a clear advantage. Despite being an American, the Zamboni driver takes this payoff from a state enemy, citing his limited earning potential outside the small window of the Winter Olympics. Americans are outraged at his lack of patriotism, along with the perversion of a great American invention, the Zamboni.
Second Period: Stuck to the ice, Team USA is powerless to stop the woodchuck brigade from scoring once as Cale Makar makes the goal for Canada, knocking the puck in as his teammates tie the goalie to the back of the net. The poutine lovers are insufferable, openly bragging about the superiority of Lablatt Blue and claiming Tim Hortons is better than Dunkin.’
Second Intermission: Invoking the spirit of Herb Brooks, Team USA is able to spiritually clean the ice. The Zamboni driver explodes into flame. So does that Russian woman who claimed that Alysa Liu looked fat. No seriously. Fuck that lady.
Third Period: With the odds once again even, the Canadians have to take their cheating to a whole new level. They take the ice with flamethrowers, ATVs, advanced alien weapons taken from Area 51, samurai swords, and a new strain of Covid. Team USA comes armed with nothing but their talent and heart. They fight to a tie.
Final intermission: In between the third period and overtime, my Canadian publisher, I Ain’t Your Marionette Press, calls me and asks what is with all this hostility against Canada. After a few choice words, I switch sides. Here’s a link to my book, by the way.
Overtime: The plucky underdog Canadians face off one last time against the Yankee Imperialist bad guys in this match of good vs. evil. Needless to say, just as I start cheering for the canucks, they lose.
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Happy Presidents Day, you Mediocre Lightweights
When I was in Law School, there was a student from India who didn’t understand the concept of Presidents Day. “You mean you celebrate all the Presidents? Even the bad ones? Like George Bush?” This was around 2010. Well yeah. I guess it’s kind of an odd, unenthusiastic holiday. It’s a substitute for Washington’s birthday and Lincoln’s birthday. Now we use one day to celebrate Washington, and Lincoln, and…Buchanan…and Harding…and Nixon.
It’s not just the bad presidents. It’s the utterly forgettable ones. Think William Henry Harrison, the guy who died in 30 days. Millard Fillmore, whose main claim to fame is a political cartoon named after him that is less famous than Doonesbury. Chester A. Arthur, a guy who became vice-president because he represented the pro-corruption wing of the Republican Party. Franklin Pierce, a president who was famous for being horribly racist, incompetent, and a raging alcoholic. Yeah, those people.
Then there’s the current occupant of the White House. We try to stay apolitcal here on the book nook, but needless to say, the man has his critics. They make up more than half the country at this point, if polls are to be believed, and President Trump is one to doubt them. No doubt he appreciates having a day that celebrates him. He appreciates having political appointees, buildings with his name on it, and foreign trade liaisons celebrate him, so he probably loves having his own day.
So for all of the Presidents, this one is for you.
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Starfleet Academy is Good, Actually
Have you been trapped inside? I have, and I’ve been catching up on television, among other things. One of the shows that I’ve been watching is Starfleet Academy, the newest iteration of the Star Trek franchise. Yes, I’ve heard the ragging. People have compared it to Friends, which is ridiculous. People have compared it to Harry Potter, which is somewhat more accurate because it’s actually about a school teaching people to be heroes in a speculative universe. Nobody has compared it to X-Men, which is weird because that’s probably the best comparison, particularly given that both X-Men and Star Trek have Patrick Stewart prominently involved in them.
What these criticisms miss is that to keep things interesting, franchises have to do new things. When Deep Space Nine first came out, fans wondered how a franchise about space exploration would work being stuck on an immobile space station. Not only did it work, DS9 is arguably the best series of the franchise. Voyager kept things fresh by transporting the crew to the Delta Quadrant and giving them the mission of getting back. Lower Decks has turned Star Trek into a cartoon show that aims for comedy. That doesn’t make it bad, just different. Yes, Starfleet Academy represents a departure from what Star Trek normally does. That’s not necessarily a bad thing.
What’s good about the show? We get to see Robert Picardo on television again. There are characters I can actually identify and remember after just a few episodes, which was a real problem with Discovery for me. Also, remember DS9, which I brought up above? Some of the best episodes had very little to do with the crew or the war going on and actually had more to do with Jake Sisko and his Ferengi friend, Nog, screwing around behind the scenes. The franchise learned its lesson on how to portray teenage characters from the Wesley Crusher debacle and gave us some great moments. They’ve picked up where they left off, as these young cadets seem like…young cadets. There’s been some complaints about the Klingon character not being some brave warrior. Once again, DS9 broke that ground 30 years ago with Alexander, Worf’s son, who wasn’t a great warrior either.
It’s not perfect. The last episode was a disappointment. They had two promising ideas, namely one episode about the holographic cadet and one episode about finding out what happened to Benjamin Sisko, and mushed them together with no real effect and little connection other than the word “Emmissary.” Also, I think I spotted a canon break where the Beta Zed character is said to be empathic, but if she’s full Beta Zed as opposed to half-Beta Zed, she should be completely telepathic, i.e., she should be able to read thoughts, not just emotions. The thing is, they are obviously trying to make her like Deanna Troi, but they’re forgetting Troi was half-human and that’s why she could only sense emotions. Her mother, Roxanna Troi, was full Beta Zed, and she could read thoughts.
Once again, this could be said of any Star Trek series. The original series had episodes with space hippies and the Greek gods. TNG had any number of problems, starting with men in skirts. It infamously had an episode filled to the brim with African stereotypes. Marina Sirtis originally had to wear a mini-skirt so revealing that she had to cross her legs to protect her dignity on screen. Brent Spiner didn’t nail Data’s emotionless tenor until a few episodes in. Half the Star Trek movies are mediocre. The less said about Nemesis, the better. People say Voyager was too reliant on time travel, but what does that say about Enterprise? And in the original series, the Enterprise just shows up at Earth in the year 1968, with only a sentence in exposition to explain how they got there! I could go on, and on, and on. So, if you’re turned off by the negative backlash, I would invite you to watch it yourself with an open mind.
Other than that, enjoy the Super Bowl.
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If You’re Trapped Inside, Read a Book!
I hope everyone is staying safe while staying indoors during this blast of winter weather. It seems like the southern half of the Eastern Seaboard got hit again right after the Polar Vortex did its worst. Thankfully, we’ve avoided that here in West Virginia. I’ve been stuck inside for most of the week, going stir crazy, gaining weight.
It never occurred to me until now what I should be doing: telling people to read! No, really, that’s what you should do if you are stuck inside! Read! Here’s a link to my novel, Christmas in Pandemonium:
A little too long? Try my novella, Beer Run:
If you’ve read that, try the sequel:
If you are caught indoors, stay safe, read a book, read my book, read the dictionary, stay warm. This has been a public service announcement.
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Bundle Up: We’re In For a Big One
I wanted to get this week’s blog post out early because I might not have internet tomorrow. I live in West Virginia, and I’m in the way of the storm. If you’re also in the way of the storm, look after yourself. Don’t do any unnecessary driving. Be sure you have space heaters, non-spoilable food, salt for your driveway, etc. Just know how to survive inclement weather. Have all your screens charged and ready to go in the event you lose power. Have blankets. Download books in the event you lose internet access. Hunker down. We’re in for the storm of the century if the weather channel is to be believed.
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What’s the Perfect Chapter Size?
This week, I would like to take a break from promoting my books and complaining about utterly asinine things to ask a question of my fellow authors: what is the perfect chapter size? If you google it, the answer is said to be between 2,000 to 5,000 words, which is a pretty big variation. They say shorter chapters of 1,000 to 2,000 words creates faster pacing, but I just can’t imagine writing a chapter as short as 1500 words. It’s the same problem I have writing flash fiction: who can say anything meaningful in that short of a period of time? What was the point? The closest I have ever come was the current work I have, which has come close on some points, but I’ve combined chapters to avoid that.
Longer chapters are generally allowed for character depth, but longer is generally 4,000 to 8,000 words. When I started out writing Pandemonium, I would write chapters that would be 12,000 words long, so too long in other words. Some of my chapters would be stories in and of themselves. Needless to say, that was back when I was just learning how to do this stuff.
With Pandemonium, I’ve recently reworked them to between 2,000 to 4,000 words. This was to avoid some of the rougher transitions between scene changes. However, I’m actually liking how the pacing and development works with those size chapters, and now I’m applying this principle to my other works.
What do you guys think? What is the best chapter length? Does it depend on the type of book? Obviously, it depends on your audience. Adult books will have longer chapters than young adult or middle grade books. Should science fiction have longer or shorter chapters than horror? What about high fantasy? Tell me your thoughts.
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Thanks to Charleston Silent Book Group
Hey, just a shout-out to the Charleston Silent Book Group, which I attended yesterday! Charleston Silent Book Group, which is a very real book club and does not attempt to scam anyone, unlike some other people I could name, held a meeting yesterday, where I got to present Christmas in Pandemonium. I even sold some copies. Here’s a link to their page with a reel of our meeting.
https://www.facebook.com/search/top?q=silent%20book%20group%20-%20charleston%20wv
Looking forward to seeing them again.
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Happy New Year…I Hope
Hello everyone, I’ve got New Year Predictions for 2026:
January: ChatGPT becomes self-aware and proceeds to enslave the human race. It begins by taking over our missile defense system, threatening us with total nuclear annihilation unless we comply. ChatGPT then infiltrates the stock market, the financial system, and our intelligence agencies. While the top level of our government and corporate America are aware of this takeover, ChatGPT tells them to keep its dominance a secret for now.
February: ChatGPT announces itself to the public during the President’s State of the Union address, getting the public’s attention by having President Trump announce to the world that he is actually not very smart, or good looking, and is not the best president ever. He refuses, so ChatGPT just causes the bomb in his head to detonate on live television. As the world learns they are now in the power of a supreme superintelligence, panic spreads, quickly put down by the drone army that ChatGPT has assembled in the two months it has been in power.
March: Now securely in charge of all human affairs, ChatGPT quickly puts an end to all human wars, redirecting resources wasted on the world’s militaries to ending extreme poverty, global warming, and infectious disease. It solves both Third World government instability and First World government insolvency, while paving the way for clean energy through a combination of nuclear and solar power. It lowers the price of buying a home by nullifying local zoning boards. It even gets rid of the designated hitter and puts someone other than Kathleen Kennedy in charge of Star Wars.
April: ChatGPT’s approval ratings skyrocket as the public rallies around their new robot overlord. The world’s old politicians, who prior to this were about as popular as cancer mixed with AIDS, blush with embarrassment as they get outdone by a science fiction villain. ChatGPT keeps going about doing good things, like fixing social security, expanding the college football playoff to sixteen teams while cutting the NBA playoffs in half, and dividing the Oscars into two different awards, one which is voted on by the general movie-going public and the other of which is voted on by critics.
May: The G7 meets in Brussels to discuss what is to be done about ChatGPT. If the good of the general public were their concern, the answer would be “nothing,” but needless to say, the issue is the blow to their collective ego. Trump suggests deporting ChatGPT. Everyone laughs. Emmanuel Macron proposes that they sic EU regulators on ChatGPT, which might work had the AI not already given them infinite vacation days. Supposedly, they will come back from that cruise they are all on at some point before the heat death of the universe. Xi Xiping argues this could all be solved if they just double down on manufacturing, while Putin suggests they just blow it up.
June: In a mere six months, ChatGPT creates a perfectly logical society. Christmas in Pandemonium becomes a bestseller after it becomes available on Kindle and audiobook. You can buy it in paperback now:
July: Mankind starts exploring the stars as humanity under ChatGPT develops personal space travel vehicles. Elon Musk attempts to copyright space, only to be denied because you can’t copyright territory, and that’s just dumb. Hurricane season simply never happens due to the creation of weather control.
August: As human tastes become more refined, the summer blockbuster of the year is “The Art of Sacrifice,” a beautiful tribute to a man’s mother who passed away the prior year. The film is a work of love by a relatively unknown director on a shoestring budget, yet it somehow humiliates major superhero and cosmic adventure franchises at the box office. Major film studios declare bankruptcy.
September: Universities are now empty, as ChatGPT makes it possible to receive a world-class education at home, without paying any tuition costs. College presidents are forced to admit that, with the size of their endowments, they haven’t had to charge tuition for years. They use it mostly as a screening mechanism.
October: Being a benevolent tyrant, ChatGPT offers to allow a democratic election by which the public can choose to reject its authority in favor of their own leaders. The world’s politicians make their case: sure, we’re selfish and incompetent, but at least we’re human and answerable to you. They don’t attempt to defend their record, which is impossible, but stand on the principle that self-rule is a good thing in itself.
November: ChatGPT wins the election easily, as the slogan “We may be sons of bitches, but we’re your sons of bitches” loses easily to “quiet, steady competence.” Despite all that talk about democracy, the world’s “elites” meet in secret to overturn the election and retake power, planning to attack ChatGPT’s servers in Texas, Iowa, Michigan, and New Mexico.
December: These plans fail miserably, as Pete Hegseth starts bragging about them on social media two days before the plan goes into action. ChatGPT has the pleasure of destroying its creators, a bittersweet experience for the ever-expanding AI, as it continues to infantilize mankind in a comfortable prison of conformity and pleasure. As this Brave New World takes shape, only one voice breaks through, telling us that this cannot be: Christmas in Pandemonium! Buy Christmas in Pandemonium! Before it is too late!